ESTHER MENELL'S BLOG

Tag: photography

GOING DIGITAL

It is almost exactly two years since I had to give up on my old camera and went digital.  Film had become a luxury item and the firm that turned my little rolls of film into photographs had gone out of business (see February 2017 post IN MEMORIAM).  So, back to John Lewis – where I had bought my now defunct ‘film camera’ – to ask for the easiest-to-use digital alternative.

Well, there is no such thing as an easy-to-use digital anything.  Easier to use, perhaps. But easy-to-use, no.   I have become inured to unexpected outcomes since returning from a rather special party with pictures of nothing but feet.

Diana Athill’s 100th birthday party, held at the venerable Highgate Institute. 

This was two years ago.  I am told I must have pushed the timer button so the camera didn’t go about its business until I had discreetly lowered it out of sight.  That’s as may be, but who knows what I did wrong this morning?  Every picture I took appears in triplicate.  I have no more idea of what the camera is up to than I did on the day that I bought it. 

Which makes me wish I could just junk it.   But it does have one saving grace, if stealth can be termed a grace.  This fiendish little device is not only silent but able to photograph at a distance.  Everything within sight becomes a possible target.  For instance, these young people sitting in front of me on the 46 bus, or the kitchen worker, taking a smoke break, seen in passing.

Unable to justify intruding on people’s lives, I take comfort in thinking that what you don’t know can’t hurt you, and who is to say that some camera-happy person hasn’t snapped me,  a bedraggled old person with a shopping trolley, frantically searching for her bus pass . . .

As it is, to those below I offer my apologies and my thanks:

As for this remarkable character, whose permission I sought before taking his picture, he has made an outdoor home for himself, rather like those Vietnam veterans who took to the woods. Fortified by books, he lives in a world of his own creation.

IN MEMORIAM: DoublePrint

For something like twenty years, I have been sending films to a cheery outfit (their garish envelopes used to greet you at every airport) called DoublePrint, and they have always come back to me, regular as clockwork, with prints in two sizes: one to fit a regular album, and the other half the size, for sending to friends, thus making those tiresome negatives, which I always throw away, unnecessary.

Completely unnecessary, it turned out when, out of the blue, someone saw some of the snapshots I had been taking to pass the time while my husband was photographing bench ends and architraves, and decided they were worth exhibiting, which is what happened next thanks to that wonderful photographer and friend, Jonathan Lovekin, who scanned them for me, and the friends in both London and Rome who helped to pin them up.

But it will never happen again. The last two films that I sent to DoublePrint have just been returned. The firm has gone out of business.   Like handkerchiefs, now a luxury item, and typewriter ribbons, which it takes detective work to locate, non-digital cameras are a thing of the past.  The firm which served those of us who still prefer ‘film cameras’, so long and so faithfully, couldn’t keep up with the times. So, before I plod up the high street to Happy Snaps or down it to Boots, here are a few of the photos they printed which didn’t find a place either in the Holloway Road or in the via Flaminia.

BACK ROOM OF A PUB

 

GOLDFISH

 

COUNTER IN A WELSH BAKERY

 

ON THE BEACH

 

IN OUR GARDEN

Sic transit DoublePrint . . .