ESTHER MENELL'S BLOG

Tag: Michele Hanson

MORE DEAD THAN ALIVE

It is, of course, inevitable, in one’s eighties, that one knows more dead people than alive people, and yet it was quite a shock to realise this when my friend, the novelist and blogger extraordinaire, Jon Elkon – a good twenty years younger than me – pointed this out. Nothing, of course, would surprise Jon, one of whose fictional characters was a talking dog, but it did surprise me.   How could I not have noticed?

My world is now full of people who are no longer there . . .

Strangers live in Ilsa’s flat. There is a grave – his grave – in the wild flower meadow that had been my cousin Anthony’s pride and joy. Juliet lies among her ancestors in a Norfolk churchyard.

Michele will never walk her dog on the Heath again. But I will always cherish her very last column: she had told me, only days before her death, the story of this near-miss with some randy schoolboys and I had countered with my story of a Greek stationmaster: both of us well-brought up and hopelessly naïve Jewish girls, we almost lost our virginity by default.

Michele Hanson

Who else? There was Gillie: an Oxford friend alongside whom I spent an Easter vacation working in a Lyons Tea Shop which would have been in the shadow of Centre Point, but there was no Centre Point. Then, some twenty years later – for Gillie died far too young – the merciless run of deaths among my authors, all in early middle age. Carol Bruggen, one of my favourites, both as a writer and as a friend: a paranoid schizophrenic, who would put on a different set of gaudy clothes each morning, to keep her spirits up. Faith Addis, who had to be dissuaded from going to writing classes, even as her fan mail mounted up and her books were adapted (horribly badly adapted) for television. Madeleine St John, whose gem-like Women in Black far out-shone her later, prize-winning novels and, later still, Gillian Avery who got tired of being looked down on by her academic husband and his high-table friends for writing children’s books and came up with a splendid tome, replete with notes and bibliography.

As the list of the dead gets longer and longer, it is the thought of out-living those who mean the most to me – not death itself – that fills me with dread. Not so my father-in-law, who watched his contemporaries pass on with grim satisfaction. He had not wished them ill but he was glad – proud, even – that it was them and not him. The final duel between him and his equally long-living brother-in-law, who Dale had long suspected of cheating at golf, had itself the excitement of a sporting event.

My father-in-law, Dale Harbison (foreground)

Not long ago, Diana Athill, now one hundred years old, let it be known that she and one of her friends in the lovely, serene Home where they both live, count not sheep but ex-lovers to help them get to sleep.

Thanks to Jon, I may now go one step further: I may lull myself to sleep listing the dead.

REMEMBERING JEREMY

For a very short time, almost fifty years ago, I worked alongside Jeremy Lewis in a ramshackle office, partitioned to give just enough space for us to reach our desks: in my case, not actually a desk but a rickety table at which I sat for the half day each week that my infant son was looked after by a friend.

Forty-some years later, I re-met Jeremy – who I knew only as a kindly but ghostly presence, for there had been a bubbly glass partition between us – at the funeral of a mutual friend.  By then, he had long since immortalised his stint at Deutsch in Kindred Spirits: Adrift in Literary London, and I had become a devoted follower of his column in The Oldie and the well-satisfied reader of many of his books, both light and heavy.

What brought him into my life in a less shadowy form was that I wrote a book myself and was persuaded to ask for his help in getting it noticed. Having worked for André Deutsch for over thirty years, the book was as much about life at 105 Great Russell Street as about my private ups and downs.  His response was immediate and generous, and led to reviews I would never have got without his imprimatur.

What happened next, and brought about our actually meeting – for at the funeral we had done no more than exchange glances – was pure chance.

I had been invited to appear at Jewish Book Week, in conversation with Peter Owen. Too good to be true!  Not only was he the most interesting of small publishers but, more to the point, his name guaranteed we would have an audience.   Or would have done.  Shortly before the event he had to bow out. His book wouldn’t be published in time.

Panic!  Alone on the platform, I would have been alone in the room.  The staff at JBW, my publisher and I all cast about wildly for someone who didn’t mind being asked at the last minute and whose name would fill seats.  It was Jeremy who stepped into the breach.

Jeremy at an Oldie lunch         Photograph © Neil Spence

Now, in the ‘green room’ and then on the stage, we met at last and I found that, unlike so many writers, Jeremy was just as you would expect him to be:  funny, self-deprecating and wonderfully relaxed, the polar opposite of the comic novelist who in the flesh turned out to be a belligerent, middle-aged soak.

And thus, in a session chaired by Michele Hanson (another comforting presence), the event went ahead after all and I experienced the joy of Jeremy in person for the first and last time.

There are not many people who will be missed by everyone who has known them.  But it is hard to imagine anyone who won’t miss Jeremy’s genial, shambling presence, his wit and, indeed, his erudition. Not only a thoroughly likeable man but a literary gent of the highest order.

Jeremy Morley Lewis, born 15 March 1942, died 9 April 2017.